circlemeetsline

The writing about was the writing.

Scene & Problem

I haven’t set the scene on purpose.

If you’ve already decided you should go. Finish the circle/you can never finish a circle. That’s a problem.

The cursor is disappearing, again. A different kind of problem. If I draw the lines.

If you are still concerned with possible maybe that’s another kind of problem. This isn’t about passing. If I deviate, it’s a choice. Does that make it a problem? (Possibly.) Deciding is as clean a line as a moment drawn out into a better shape. A resetting of system.

Finding a fix was never the problem.

I haven’t set the scene but maybe the scene sets itself. A circle spins and I pretend I’m involved. An observer of the circles of the lines. It’s always summer unless we’re talking about snow. It’s always a basement, a bedroom unless we’re talking about sun.

A broken watch isn’t keeping time.

she & i

In a library that doesn’t exist anymore, I opened a drawer of small yellowing typewriter-printed cards. She found her way to the musty back of the row in the back of a corner and climbed on the creaky stool and pulled it down. Stacks have always been a comfortable, orderly escape. See Also: Locked bathrooms, reading in a bathtub. A hotel closet. Up ancient stairs into a tiny old classroom. See Also: The library I love most in the world. She was not in that library. The paper in the book was thin; I can nearly still feel it. She sat and discovered an entirely new way of breathing. An entirely new place, an entirely new world. I didn’t understand nearly anything that first visit with the thin-papered book. She kept those ten lines in her mind forever. I live unsettled. She is not a child, has almost no time for libraries. Still, I wait for sunlight place yes.

a memorial day

This is a forced honesty.

What else today but be in my most comfortable nightgown window open and music on and the hot New York air around the room and it’s as if I’ve been lying on this bed for centuries.

The penned-up July anxiety, and death again from unusual and unexpected corners.

What else but remembering and whispering quietly about what I can and cannot offer. Who was supposed to be listening and how that bridge is incomplete.

So long as gravity remains the only force. Because the body is far from a gravitating body.

What else? Supposed to isn’t relevant it’s been true for months. Each new tragedy pales quickly. There is a reason wounds need to heal. There is a problem I have, the way I circle through each historical cut. The sound of a car hitting a tree a block from a house.

(This is when I start to cave but won’t.)

What else am I supposed to do but keep my words and keep myself and when there is a struggle between the two, try to know what to keep. There isn’t a question.

Still, we are children.

Extinct, which is permanent, or gone which is worse

I am going to write through this: Pulsing tightening string pulling through me. Heavy ghosts hovering.

It hurts me not to be honest. And my definition of honest includes everyone always knowing everything. (I don’t know why.) To some degree, it always hurts. (That’s just the truth.)

Pain: My foot is feeling very real today. The kitten is biting my arm and I absent-mindedly throw him off. Tiny little cuts don’t hurt me.

The cursor keeps disappearing and I have to reset the settings and it’s irritating and coincidentally familiar. But the space bar isn’t sticking anymore, so.

Crying is much harder with glasses. I don’t cry as much as I used to. I was going to write about cliché today – crying is a cliché. (I’ll write about cliché next week.)

I am listening to my Bright Eyes radio station on Spotify to help breath. Music helps because I can melt into it.

E. says writing about Conor cheapens this but I think it’s a matter of cliché, which is a matter I intend to investigate here and therefore relevant.

What I really need is to get unstuck. With the space bar, compressed air. With me, we never know until happens. It usually involves running away or hiding.

The ghosts were forced to hover further, just around the edges, and the string is slack. Am I really talking about myself, and a real panic attack that happened today? I don’t know and neither should you.

What I really need is not possible. Extinct, which is permanent, or gone which is worse.

(Notes on story)

There is in the story such waste. There is so much anger. You dig furiously and think you’ve clawed through the anger as another wall of pain approaches. Or, you throw yourself at the wall, needing to remember that kind of pain.

There is also in the story so much music. Boxes. Porches. There was a room with a teal carpet and it was erased and then demolished. (This is getting very autobiographical which should not be confused with truthful and stops now.)

The heart of the story is another story. Once upon a time, you were not just a recorder of events. A placeholder until everyone is ready to hear the story. Once upon a time, you could at least count on an understanding.

The heart of the story is about what can and cannot disappear. The story isn’t ready and neither are you. The window is cracked open, again. How to ask for what you need and not run away. To settle the question of course.

July Poem 2011

And this is the night shadow behind every restless waking. And here is July at my back, forbidding forgetting as if the shadow would fold.

And do I recall shaping it, my shadow?

July, I had thought that winter could end you. (Forgetting how a shadow reflects in the sunlight on a snowy lawn.)

But I am marked by my words, of course in sleep, in sun, in skin.

I am not a thing with feathers. I am only a July wildfire, a laughing heat refusing relief.

[Premature] Notes for 2012 July Poem

The writing about is the writing, and I won’t pretend this year. This year will be important, so even though it is always July, again this July will be important and so will the July poem.

Question: Is every July important? Answer: No, but most are significant in some way.

What happens in July, all of it. Will I write the poem at the beginning or the end?

Last year, I believe I wrote it toward the end, near my birthday. Last year in July the sky was just about to fall. Last year in July E. and I drove six hours to see Bright Eyes play in an unbearably, endearingly small town upstate. The band stayed at our hotel. Oh, and the day before we left for the show, I slipped getting on the train to go to work. And then July ended.

Why I am so preoccupied: I don’t know. (These are just notes, after all.)

As for the getting ahead of myself, of course. The only way I know to go. And I’m not apologizing.

Here’s when I apologize: When I feel that I’ve hurt you. Here’s when I don’t: When I feel that you’ve hurt me.

It is always July again, and it has to be. Because I’m, somewhat surprisingly, thinking of Frost; because there are miles to go. And there are fences to be rebuilt.

(Side note: What would happen if I didn’t delete anything. If this were unedited but for grammar and safety.)

Probably before July I should work on translating. The July poem won’t be written on here, but I’ll post it later. Tomorrow, I’ll post last year’s.

What I love about notes, about an outline.

Awake and Watching and Being

I spent an hour lying perfectly still so as not to disturb my watching of the sleeping kitten, who was sound asleep across my neck, despite my being awake and watching and being.

I spent an hour lying perfectly still
So as not to disturb my watching
Of the sleeping kitten, who was sound
Asleep across my neck, despite my being
Awake and watching and being.

What line breaks do.

I still find myself becoming preoccupied with project. I love form but not worrying about it. I wonder whether I was always only going to write like me, like this.

And what I will do with it all.

Last night it poured in that distinctly-on-the-edge-of-summer way that rain has. Don’t ask me if I remember. Don’t ask me about comma choice.

Don’t ask where I am going.

I don’t enjoy employing tricks. I’m an easy target because I won’t play the game which leaves me standing out in the open, ready to be found out.

There is a butterfly outside my window.

Today, Maybe

If this is a language, I will need to translate. (And if I can’t?)

Or maybe I don’t need to or shouldn’t. Maybe I’ve taken too many workshops.

In my life maybe less than a handful who might decipher, and even then.

For me, I need to at least examine the repetitions. Investigate coincidence. I am not sure why I am suspicious but I am sure. Maybe.

When the air is charged. When it feels like I’m hiding. What it is that has to be hidden.

Today I am not writing a dictionary. I am not even making a list.

 

More Here/There

The comfort I took in living by the ocean. The way the waves steady me. There was ocean here, and then ocean there. The ocean is not here.

The sunshine. The quiet, steady sunshine requiring nothing from me. Reassuringly unreal blue.

I’ve circled back to it quicker than I’d hoped: Unreal. How important is that? What is gained in the hard concrete is debatable.

It is not my intention to consistently be under attack. This was not the narrative line I’d intended.

What was left there. What was found here. What was lost there. What was lost here.

The reassurance I am waiting for is not coming. I am not pretending today. I am not naïve, ever, but I am still easily misled despite myself. (To spite myself.)

My window here looks out onto a forest. I whisper fiercely at the trees. I remember the words and I whisper.

My window there and the fuchsia bougainvillea.

There is comfort in the concrete hardness but perhaps it is not mine. Today I am full of question (and am stating fact).